Apologies for how out of date this page is! Clearly I have to update this page with recent stories:

• Saint Cecelia of Paramus appeared in Red Rock Literary Review, Issue 47, Fall 2021.
• A Good Man appeared in QuibbleLit.com, Issue 11, August 2023.
• Teddy Bear Juice will appear in Lost Balloon in May, 2024.
• The Rock of Ephyra (with Graham Matthews) will appear in On The Seawall.
• Second Spring and Summer Stream are two poems soon to appear in Poemeleon.

Persistence of Memory, Salvadore Dali

Persistence of Memory: The story of a Holocaust survivor mother and her gay son pulled apart by their secrets.  Originally published in Lilith, Vol. 21, No. 2, Summer 1996.

I’m putting up this story near the top, as it is so close in theme to the novel I’m working on –  I’m finding similar themes everywhere.   It’s odd, though, when I look back on it, my mother didn’t keep too many secrets from me (well maybe she tried, but she didn’t succeed) so I’m not sure where this obsession came from.

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Pillars of Creation, Hubble Telescope Image

The Three Gods:  A creation fable about a Poppa God, a Momma God and a Little God.  Originally published in  Art Times, Vol 13, No. 3, October 1996.

When I read Joyce Carol Oates statement “you don’t have one  story until you have two,” that struck a real chord with me.  “Yes!” I thought, “Texture!  Compare and contrast!  Discovery!”  Juxtaposing the two traditional stories I have here allowed me plenty of room to play.

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Soliloquy is a story I wrote in response to a discussion about whether or not you could write poetry without emotion.  I don’t remember now why anyone would want to write poetry without emotion, or read it for that matter, but I do remember thinking that art without emotion is mere technique, like knitting from a pattern or going to a museum and copying a Rembrandt.  On the other hand, emotion without technique is just a mess, I don’t care what some  free spirit at the jazz festival, your writing group members, or even your brother-in-law, tells you.   I think the best works of art have a balance, not necessarily equal parts but at least a deliberate weighting, between intellect, emotion and sensation.  I hope this story achieves that goal.  Originally published in Words of Wisdom. Vol 15, No. 1, Summer 1995.